Plastic and wire collected, drawings and documentation
48” x 96”
Charcoal, ink, and collage of digital print photographs taken after hurricane María in Puerto Rico. 96” diameter
Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.
Leidy and Riggs Galleries. Baltimore, Maryland.
Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint. 77” x 32” x 14"
The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017) reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.
Plastic and wire collected, drawings and documentation
48” x 96”
Charcoal, ink, and collage of digital print photographs taken after hurricane María in Puerto Rico. 96” diameter
Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.
Leidy and Riggs Galleries. Baltimore, Maryland.
Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint. 77” x 32” x 14"
The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017) reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.